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Dangerous Laughter, by Steven Millhauser
Free PDF Dangerous Laughter, by Steven Millhauser
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Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.
From the Trade Paperback edition.
- Sales Rank: #685828 in eBooks
- Published on: 2008-02-12
- Released on: 2008-02-12
- Format: Kindle eBook
From Publishers Weekly
Starred Review. Phenomenal clarity and rapacious movement are only two of the virtues of Millhauser's new collection, which focuses on the misery wrought by misdirected human desire and ambition. The citizens who build insulated domes over their houses in The Dome escalate their ambitions to great literal and figurative heights, but the accomplishment becomes bittersweet. The uncontrollably amused adolescents in the book's title story, who gather together for laughing sessions, find something ultimately joyless in their mirth. As in earlier works like The Barnum Museum, Millhauser's tales evolve more like lyrical essays than like stories; the most breathlessly paced sound the most like essays. The painter at the center of A Precursor of the Cinema develops from entirely conventional works to paintings that blend photographic realism with inexplicable movement, to—something entirely new. Similarly, haute couture dresses grow in A Change in Fashion until the people beneath them disappear, and the socioeconomic tension Millhauser induces is as tight as a corset. Though his exaggerated outlook on contemporary life might seem to be at once uncomfortably clinical and fantastical, Millhauser's stories draw us in all the more powerfully, extending his peculiar domain further than ever. (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Pulitzer Prize�€"winner Steven Millhauser (Martin Dressler: The Tale of an American Dreamer) has focused his attention in recent years on the novella and short fiction. The author culls his latest collection from stories published in The New Yorker, Harper�€™s, and other venues over the last decade. Any collection drawn from such diverse sources and compiled over a period of time will strike some readers as disconnected. All critics welcome Millhauser�€™s return and compare the best of these stories (�€œHere at the Historical Society,�€ for example) to the work of Italo Calvino and Jorge Luis Borges. Less popular are �€œThe Tower,�€ about a literal Tower of Babel that struggles to rise, and other stories that embrace Big Ideas. Overall, Dangerous Laughter is a strong effort�€"�€œnot just brilliant but prescient�€ (New York Times Book Review)�€"and reading these stories is like picking up the �€œbest of�€ collection of your favorite band: good memories, catchy hooks, and always something new in the familiar.
Copyright � 2004 Phillips & Nelson Media, Inc.
Review
“Remarkable. . . . Not just brilliant but prescient.” —D. T. Max, The New York Times Book Review“Readers seeking the perfect introduction to Pulitzer Prize-winning author Steven Millhauser need look no further. . . . Dangerous Laughter draws on every facet of his imagination. . . . It's more akin to music-making than storytelling.” —Michael Upchurch, The Seattle Times “Millhauser's best story collection. . . . Every reader knows of writers who are like secrets one wants to keep yet whose books one wants to tell the world about. Steven Millhauser is mine.” —David Rollow, The Boston Globe “Enchanting. . . . Steven Millhauser is a marvel.” —Daniel Dyer, The Plain Dealer“Millhauser . . . is our most brilliant practicing romantic, for whom surface reality is merely an uninteresting illusion.” —Charles May, San Francisco Chronicle“[An] absorbing, impeccably imagined collection.” —Gregory Kirschling, Entertainment Weekly “Beautiful and profound. . . . Millhauser's work is among the most thought-provoking I've ever encountered.” —David L. Ulin, Los Angeles Times Book Review “Dangerous Laughter groups three sets of smart, darkly obsessive stories around the themes of risk-taking, imaginary places, and ersatz biographies, all led off by a crazy cartoon cat-and-mouse slapstick drama rendered with pure cloak-and-dagger delight.”—Lisa Shea, Elle“Tales fueled by curiosity and wonder, from a master . . . [who] is consistently so much fun to read . . . Everything one has come to want and expect in Millhauser’s fiction is here–spooky attics, fantastic inventions, artists driven mad, and ambitious enterprises that become overattenuated and impossible to sustain. The result is almost a Steven Millhauser primer, a much needed fix for fans . ...
Most helpful customer reviews
4 of 5 people found the following review helpful.
Let us go back to a time . . .
By Buzz Advert
This is a very strong collection that some less than flattering reviewers have correctly described as repetitive and lacking characters. Were one to read a single story from this collection, it would have a very different effect than a person going through the whole book. This might sound obvious; however, readers who need more character-driven stories are going to be repelled by the collection, whereas they might be able to grant a writer this approach for a single story. The stories are more like imaginative histories either without characters or with characters that are not really the main point. Each story tends to be built around a single fanciful obsession. There are aspects of Poe, Shirley Jackson, Borges, and Hawthorne's short stories in these. The stories begin with disembodied narrators, such as, "After the Age of Revelation came the Age of Concealment," "We here at the Historical Society are tireless in pursuit of the past," or "During the course of the many generations the Tower grew higher and higher until one day it pierced the floor of heaven." After reading a number of such stories, a story such as "The Tower," which comes in the second half of the book, feels already played out before it begins--though it proves, after one gives it a chance, to have a pretty interesting premise. Readers will have a higher opinion of the collection if they cherry-pick stories; however, based on reading other reviews I can tell there's little consensus on which stories to pick!
In my opinion, "Dangerous Laughter" contains a number of excellent stories that can support repeated readings. "Cat 'N Mouse," which stands quite apart from the rest of the stories--except in that it recounts the history of a consuming rivalry--is very amusing and fun. I loved it too when the narrator goes into each animal's psychological state. To me, the other best stories are "The Disappearance of Elaine Coleman," "History of a Disturbance," "The Other Town," "A Precursor of the Cinema," and "The Wizard of West Orange." Another reviewer said "The Other Town" didn't quite cut it; however, it is a fabulous allegory for representation and art. (Some may dismiss it as too ready made for a graduate seminar in post-structuralism where simulacra rolls too easily off of everyone's Baudrillard-loving tongue.)
The weakest stories, I think, are "The Room in the Attic," which just asks for too much suspension of disbelief, and "Dangerous Laughter." Both stories attempt to foreground character more but come off as too artificial--an amusing outcome for a book with so many fantastical conceits.
For readers who like the historical approach, see Jim Shephard's "Like You'd Understand Anyway." His stories are based on real history, however, and Shephard is very comfortable navigating character motivations.
8 of 10 people found the following review helpful.
Left of Center
By KasaC
As in all of his work, Steven Millhauser creates worlds that are just to the left of the center of reality. Each story has a haunting quality that is impossible to quantify, and each keeps you wanting to know more about the inhabitants of his world. Some are thinly veiled allegories, some not so obtuse metaphors, but every one of these 13 stories makes the reader think more about his own world and his perception of it.
6 of 8 people found the following review helpful.
Strange Love
By William C. Scheel
If you got this far, you should get the book. I don't think there is anything quite like Millhauser except, of course, for strange machines where you can put a quarter in and find yourself shrunk ala Tom Hanks.
This is a most enjoyable read even when you get weary of the current story only to go on to the next, better one.
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