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To commemorate the tercentenary of the first Western edition of The Arabian Nights, Yamanaka and Nishio marry Western and Japanese perspectives to analyze the rich cross-cultural fertilization that ensued. Arabian Nights and Orientalism examines narrative motifs, and relates them to other cultures, traditions, and forms of representation. The authors place the tales in a whole range of new contexts, from 19th century British feminism to ancient Greek romance. This lavishly illustrated book explores the interplay between image and text in various editions, and sheds new light on the tales' origin in the Persian professional storytelling tradition. Robert Irwin's foreword offers an overview of critical responses to The Arabian Nights, which highlights the originality of this volume.
- Sales Rank: #1232886 in Books
- Brand: Brand: I. B. Tauris
- Published on: 2006-06-11
- Released on: 2006-04-13
- Original language: English
- Number of items: 1
- Dimensions: 9.36" h x 1.14" w x 6.31" l, 1.29 pounds
- Binding: Hardcover
- 260 pages
- Used Book in Good Condition
Review
""This volume marries western and Japanese perspectives on The Arabian Nights to provide a fascinating study of how this literary phenomenon brought about a unique and rich cross-cultural fertilisation.""� --Middle East��
About the Author
Yuriko Yamanaka and Tetsuo Nishio are Associate Professors at the National Museum of Ethnology, Japan. Robert Irwin has taught Arabic and Middle Eastern History at the universities of Oxford, Cambridge and London. He is also the Middle East Editor for the Times Literary Supplement and the author of The Arabian Nights: A Companion (Tauris Parke Paperbacks).
Most helpful customer reviews
2 of 2 people found the following review helpful.
An Eastern Perspective on the 'Nights'
By Robert Lebling
The Arabian Nights tales have long fascinated the West, but what about their impact on the East - on, say, Japan?
Japanese perspectives on the subject are well represented in this book, which brings together a wealth of scholarship on The Thousand and One Nights from an international conference at Osaka's National Museum of Ethnology.
The scene is set aptly in the preface by Middle East historian Robert Irwin, who shows how the Arabian Nights fits into the "Orientalist" mindset, as defined by Edward Said and others. But Irwin suggests that applying Orientalist theory to Orientals like the Japanese may not be quite so easy as applying it to the British or French.
Fitting the Arabian Nights into that framework may be even more problematic. As Tetsuo Nishio points out in an article on Orientalism from a Japanese perspective, "Japan accepted the Arabian Nights as a constituent part of European civilization." Europe's "Orient" was the Middle East. (Japan's "Orient," or object of control, was China.)
Japanese illustrations in Arabian Nights translations published in the late 19th century sometimes show the Arab characters dressed like Victorian Europeans. The Japanese found the Nights tales extremely compelling as stories, but the tales did not exercise the same hold on them that they did on Europeans - because Japan was not linked to the Middle East by economics, history and geopolitics.
This collection also explores other topics of equal interest. Yuriko Yamanaka traces the origins of an Alexander the Great story in the Nights to a historical event that took place when the world conqueror reached India. The direct source for this story in the Nights appears to be a version related originally in Persian in Ghazali's Nasihat al-Muluk (or book of counsel for kings).
Since the Arabian Nights has long been regarded as a collection of a "popular" or lower-class stories spun by storytellers in the cities of the medieval Middle East, Yamanaka suggests that the gap between popular and elite literature in those days may not have been as wide as commonly thought.
[A version of this review appeared in Saudi Aramco World, Sep/Oct 2006.]
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